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VELAZQUEZ, Diego Rodriguez de Silva y Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mews oil painting


Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mews
Painting ID::  43655
VELAZQUEZ, Diego Rodriguez de Silva y
Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mews
c. 1636 Oil on canvas, 144 x 96,5 cm

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Portrait of a Man Form: painting oil painting


Portrait of a Man Form: painting
Painting ID::  43656
VELAZQUEZ, Diego Rodriguez de Silva y
Portrait of a Man Form: painting
c. 1649 Oil on canvas, 76 x 64,5 cm

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Horseman picture Philipps IV oil painting


Horseman picture Philipps IV
Painting ID::  45847
VELAZQUEZ, Diego Rodriguez de Silva y
Horseman picture Philipps IV
mk178 1634-1636 oil on linen 317x304cm

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Las Meninas or The Family of Philip IV oil painting


Las Meninas or The Family of Philip IV
Painting ID::  52684
VELAZQUEZ, Diego Rodriguez de Silva y
Las Meninas or The Family of Philip IV
1656-57 Oil on canvas, 318 x 276 cm

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The three man beside the table oil painting


The three man beside the table
Painting ID::  54672
VELAZQUEZ, Diego Rodriguez de Silva y
The three man beside the table
mk236 1618 Oil on canvas 108.5x102cm

   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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